I’ve been skeptical of summer music festivals since Bonnaroo 2004, when I was gifted the most horrendous sunburn you could imagine. The sound is usually never on point for outdoor stages, either. Call me crazy, but I’m just not fond of sweating it out while also not being able to hear a band that well.
Also, see our review of Sunday's action.
Photo Credit: Leif Johnson
Schoolboy Q
Finishing the three-day marathon that is Pitchfork starts to feel like a daunting task by the time Sunday rolls around, and the mood in Union Park was flat early that afternoon, even as Bay Area black-metal outfit Deafheaven screeched and churned through songs fromSunbather. In fact, the vibe was downright chill:
The Sprockets International Music Video Festival took place last weekend at the 40 Watt Club and Melting Point, and two local bands took home trophies.
Also, see our review of Saturday's action.
Photo Credit: Leif Johnson
Circulatory System
Empress Of got off to a shaky start on the Blue Stage Saturday, but soon Lorely Rodriguez and her backing band were locked in, riding a succession of strange grooves accentuated by Rodriguez's dynamic and equally strange vocal delivery. On the Red Stage, the ever-potent Cloud Nothings offered what was one of the only straight-up rock and roll sets of the day, heavy on songs from this year's Here and Nowhere Else.
Photo Credit: Leif Johnson
Right off the bat, the best thing this year's Pitchfork Music Festival has going for it is the weather: Rather than last summer's mind-melting heat, Friday attendees were treated to a clear-skied 80-degree afternoon.
Also, see our review of Friday's action.
Photo Credit: Leif Johnson
The Haxan Cloak
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