New Play Festival: UGA students have been turning out an astonishing amount of dramatic writing in recent years, not simply in quantity but in quality of an impressive level. Clearly it’s high time to feature a sampling of some of the best work by current students and recently graduated alumni. There are seven playwrights and four directors. The whole thing is overseen by executive director John Patrick Bray, a UGA professor who is also a notable playwright himself. It’s an eclectic collection of plays, but Bray has noticed an emerging theme of the supernatural, family connections (and the lack thereof), and babies both born and unborn. He's joined by two PhD students (Geoffrey Douglas, Seth Wilson) and an MFA acting student (Ami Sallee) in directing the seven plays with a strong ensemble of student actors.
Local colorist and pattern designer Lou Kregel has been officially named as the theme artist of the 2016 AthFest Music & Arts Festival and AthHalf Half Marathon. Her artwork will be used on the event websites, merchandise, signage and as cover art of the 20th anniversary AthFest 2-CD set.
Photo Credit: Barbette Houser
Georgia Strange’s “Residue” has the added benefit of an olfactory component. Viewers can experience the work from two feet away with their eyes closed. There is a familiar smell that perhaps you can’t quite put your finger on. The smell of almost used up bars of Dial soap.
From a distance, the work looks like one of those scraps of paper watercolorists create as they mix color samples. The bars of soap, which are nailed in tidy rows to a white board, have a luminous quality and appear to have subtly different values and color saturations.
Unfortunately, I couldn’t track Ms. Strange down to ask her more about her oddly appealing work at this week’s opening reception for "Reciprocal II: OCAF Members at UNG." But I did get to chat briefly with Ray Lee, the lucky winner of a future solo show that night.
Photo Credit: Barbette Houser
The brass fox knocker on the azure blue door hints at the surprises that lie within the Cobbham home of designer Susan Hable Smith. Inside, Moroccan textiles, bold wallpapers, pairs of diminutive chairs, assorted opera props, funky photographs and quirky ceramic eyes are arranged artfully in a visual feast.
On one of those sunny, warm surprise Saturdays in February, the artist was sharing her home with supporters of WUGA. The back door was wide open, welcoming the breeze and revealing camellias in full bloom and tea olives beginning to flower. The large kitchen table offered up heaps of pimiento cheese and other specialties by Marti’s at Midday.
It was plain to see that this Texas to New York City to Athens transplant has mastered the Southern hospitality thing.
Photo Credit: Barbette Houser
Leonard Piha’s “Celebrating Painting and Sculpture," now on view at Athens Academy, is a celebration of many things: family, memory, Jewish life, the natural world and more. With its bold colors, recycled materials and often childlike simplicity, the show as a whole has a playful quality and is fun to view.
At the reception for the show on Sunday, the artist emphasized that he was not a trained painter, but was now feeling compelled to paint. He did say, rather modestly, that he had a lot of experience mixing colors. Piha has been the art teacher at Barnett Shoals Elementary School since 1998.
Photo Credit: Barbette Houser
Photo Credit: Barbette Houser
From the Daler Rowney Artist Inks laid out in a neat and tidy spectrum of color to the origami-like modern chairs that beckon you to sit around a crafting table and create something with your hands, everything at the Kristin Ashley Artist Shop in downtown Athens speaks of seduction. Rows of colorful papers tempt and appeal. “Pump Action” fat paint markers entice with their girth. And on a recent Thursday night, many Athens area artists just couldn't get enough of the store’s latest exhibit: "Love in All Its Many Forms."
Photo Credit: C. Adron Farris III
The Mandrake: Who runs the world? Girls! Specifically, girls dressed as boys who are treating girls like sex objects. And those girls are literally puppets. This mad, mad world is University Theatre’s innovative take on Machiavelli’s misogynistic comedy where the end justifies the means as long as you get what you want—assuming you are a man. Or a woman playing a man in this case.
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