Shapeshifting psych-noise outfit Future Ape Tapes—a duo comprised of local dudes Donald Whitehead and Tom Visions (formerly Tom Television)—has just released a new album, Lives, which you can stream or download for a name-your-price fee over on Bandcamp. That's the splendiferous cover art above.
Watch the video for "Bodily" after the jump.
Photo Credit: Jim Hix
Halloween was last week, but you can keep the bad vibez flowing by watching the new video from local noise-pop outfit Cars Can Be Blue. "Monster" is a tune from the band's third LP, Trace the Tension (just out on HHBTM; look for a Flagpole review next week).
Like much of the band's output, "Monster" is kitschy and caked in grime, a tough and tawdry tale of nightmarish childhood memories. The black-and-white video, directed by Jordan Reyes, is a fun if slightly unsettling watch:
The local grunge revivalists in Lullwater released their self-titled debut albut last month, a heavy-hitting, ready-for-radio, 13-track beast that you can stream over at Guitar World.
After the jump, watch the brand new Jason Thrasher-directed video for "Albatross," the record's fifth track.
Local kindie rockers Like Totally! unleashed their debut LP, Good Mews, back in January. The album was chock-full of kid-friendly tunes that stood in awe of the many wonders of the world: rocketships, cookies, dolphins.
Now, Flagpole is happy to premiere an exclusive new track—recorded at The Glow Studio—and an accompanying music video directed by Zach Cowan.
Watch it after the jump.
Efren frontman Scott Low recently released a new solo album, The Stories I Shouldn't Tell, via SLO PRO Records. The album traverses some wide-ranging territory—the first single, "Cactusgrass," was a shadowy folk-hop number, while much of the album digs into a more straightforward Americana sound.
The latter is where you'll find "Stuck in the Country," the second single from the record, a video for which can be seen below. It's simple and sepia-toned and country-tinged.
Check it after the jump.
When the members of Elf Power aren't weighing in on issues of local import 1,000 miles away, they're making music. When they're not doing that, they're making music videos.
After the jump, check out the somewhat spooky new music video for "Darkest Wave," a standout tune from the group's standout new record, Sunlight on the Moon.
Photo Credit: Jason Thrasher
In Flagpole music writer Christopher Joshua Benton's cover story on of Montreal this week, he makes reference to the band's 2007 Las Vegas show where frontman Kevin Barnes performed entirely nude. (Pics here if you want proof and/or are looking for a quick way to get fired.)
Well, it seems Barnes is up to his old weiner-barin' tricks once again. The new Nina Barnes-directed video for "Fugitive Air," the first single from of Montreal's excellent new album Lousy with Sylvianbriar, features Barnes and singer/bandmate/muse Rebecca Cash goofin' around with some psychedelic colors and costumes and paint and oh who the hell cares about all that the whirlin' dongle shot is at 0:34 go ahead and point your clicker there.
Watch the NSFW clip after the jump:
Here are two new music videos—excuse me, one new music video and one new music film—for your viewing plej.
The "music film" (seems a tad precious, but it was shot on film, so I guess it's OK) comes courtesy of local songwriter T. Hardy Morris and Austin, TX-based website Transistor Six. It accompanies the title track from Morris' recently released solo LP; the Super 8-shot clip is a nice analogue (get it?) to the warm, nostalgic tune.
Broun believes (or is cynically implying to the Republican base that he believes) that Obama is actually going to bring about a revolution that ends the United States of America as a nation.
Hand Sand Hands, the experimental pop project from local guy Jonathan Miller, releases its debut LP, Lord of Talk, on Oct. 12. (You can stream the whole thing here.) Today, we're excited to premiere a video for one of the album's tracks, the distorted, skittering "Before Home."
Stream the video after the jump.
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