AthFest, the Classic City's flagship summer event, has revealed the entirety of its outdoor lineup.
AthFest has announced a few more outdoor performers for this year's festival, which takes place June 26–28.
While Athens prepares for the onslaught of music, art and tech that will comprise this weekend's Slingshot Festival, the organizers of this summer's AthFest have announced that wristbands for the fest's Club Crawl are now available.
Photo Credit: Michael E. Anderson
Yesterday, we reported on the tracklist for this year's AthFest compilation album. Now, AthFest has released the names of the artists who will headline the free outdoor Pulaski Street stage June 26–28.
AthFest has revealed the final track listing for the 2015 edition of its annual compilation album.
Assembled and produced by students in UGA's Music Business Program, and released by Ghostmeat Records, the 21-track record features songs from established local favorites The Whigs, T. Hardy Morris and Reptar, as well as upstarts Roadkill Ghost Choir, Monsoon, New Wives and others.
For its annual compilation album, AthFest is doing things a little differently this time around.
Photo Credit: Photo courtesy of AthFest
AthFest Educates has formally opened the submission period for bands interested in performing on one of the outdoor stages at this year's AthFest, which takes place June 26–28.
We're over a week removed from the mad glory that was AthFest 2014, but if you're feeling a bit of post-party depression, don't fret: The good folks at DTProductions are here to help with a spiffy recap video of the weekend's festivities. Check it out after the jump.
Photo Credit: Joshua L. Jones
There may not be a better up-the-gut rock band in Athens than Five Eight. Having been around for two-plus decades, the band remains as tight as ever, offering up chunky riffs behind Mike Mantione’s manic songwriting. After blasting out of the gate with “Magnetic Fields,” from Five Eight’s eponymously titled album, the band roared through a few songs from their forthcoming release. “Palace Estates” sounded especially refined, due in no small part to the guitar chops of Sean Dunn and the low end being held down by bassist Dan Horowitz.
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